I photographed ‘Gaze’ in collaboration with stylist Melisa Otakan.
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I photographed and directed ‘The Stalk’ in collaboration with fashion designer Henry Marsh, a series of nine shots featuring the designer's latest project. The garments are centred around the macabre traditions and rituals of European hunting culture in the early 20th century. Through eclectic ornamentation and the mixing of modern technicality with vintage formality, the designer has produced five garments styled as three cohesive looks.
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Set around the ideas of lightness, fluidity and motion I transformed this skirt into a statement look that translates the designers vision through this series of photos. My concept behind this shoot was to capture the lightness and fluidity that makes this garment. Shooting in a studio setting, I wanted to make sure that I worked with light that captured all the detail of the fabric. By using back-light, we highlighted the texture of the garment, while creating an interesting range of muted tan tones.
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Leading photography and production for the shoot of the look ‘CEO Uniform’ for Marsh’ fashion portfolio was a great chance to enrapture his vision and translate the collection’s visual narrative. The project presents a collection of new uniform’s created for a corporate worker in a tech company of the dystopian future.
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Henry Marsh is a British artist and fashion designer, practicing and studying in London. As one of my closest friends, I often get the great chance of watching his work processes unfold and garments come to life. For his newest collection ‘A Cure For Sorrow’, I had the opportunity to photograph and edit the first looks.
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This is a collection of five projects I worked on over the past four months as part of my first year studying at Central Saint Martins.
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